SCOTTSDALE ART FACTORY - (800) 292-0008 - www.artfactory.com
Custom wood doors from Scottsdale Art Factory are a treaure for several lifetimes...
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ArtFactory Special Products H. J. Nick is an Award Winning
Internationally Accredited Artist!

"There was a time when master craftsmen signed their work with pride
knowing each furnishing would become a cherished heirloom and antique.
Scottsdale Art Factory carries on this tradition!"
Scottsdale Art Factory Is The Largest Custom Manufacturer Of Fine
Artistic Furniture, Doors, Gates, Lighting and Hardware.
Handmade In America Since 1913

Compare Our Doors, Gates And Furniture To Others






How Doors, Gates And Furniture Is Built.







Why Some Will Last Forever.


Some Will Fail Long Before Your Expectations.


Fact: # 1 This Has Nothing To Do With How Much You Pay.


Fact:# 2 It Has Everything To Do With How Its Made.


Fact: # 3 It Has Everything To Do What Materials Are Used.







H. J. Nick And Scottsdale Art Factory LLC believe in fully educating our dealer representatives, potential customers and future master craftsman in the creative process. We also believe in full transparency and providing the correct information or sources that allows the facts about how each product is made to be evaluated with out bias or sales hype.


"In The Sharing Of Knowledge And Experience We Advance The Arts And Enrich Mankind's High Cultural Environment", H. J. Nick


We provide this information derived from hundreds of years of collective knowledge of the facts as the experts of the worlds major universities, master craftsman and our own extensive experience conclude about wood working and joinery in relation to the creation of investment quality furniture, doors, Etc.



Much of this information is derived by the study of wood working and master crafting processes from the historical records all around tfv he world0. We have developed relationships with some of the worlds leading architectural universities professors, students and best known experts in the study of lost arts and crafts of all types and cultures. These relationships have been nurtured in the hope of continuing our family tradition of promoting and teaching future master craftsman who will carry on the American Arts and Crafts Movement into the 21st century and beyond.



We Offer Our Facility To Advance Go Green Technology And Advancement Of The Arts To Contributors

We offer use of our facility and the sharing of the experience of our master craftsman in return for these contributions when available.Thus allowing for hands on experience training in the lost arts. We also allow use of our facility for project development in related fields under any accredited school program. Products produced in these programs are sold and proceeds are used to fund the advancement of these programs with no weight to profit.

We also offer the use of our facility for the advancement of environmental energy saving designs in connection with government funded Go Green development. These energy saving designs must be associated with our natural material, building projects such as doors/windows etc. without effecting the artistic value. This is a not for profit program provided by SAF LLC in hope of advancing new technology in conjunction with arts and crafts as it relates to our contribution to the world of fine art craftsmanship.


We Invite Corrections And Additions

We invite corrections and additions to all of this information from qualified professionals, scholars and students from all architectural universities and related studies around the world. We strive to acquire all correct knowledge available related to this subject matter.



Through Fine Arts And Master Craftsmanship All Our Lives Are Elevated To A Higher Level

We believe through the arts all the lives we touch are elevated to a higher level. Through creating these beautiful hand crafted furnishings we can help you create your dream environment as well as make it possible to pass to your heirs cherished family heirlooms and a little immortality. We believe all of our customers are intellectually sophisticated and understand the real value of creating and appreciating these family heirlooms.


Many Of Histories Finest Designs Have Been Copied By Modern Production Manufacturers

Navigating Through The Fake And Faux Can Be A Daunting Task In Todays Market Place

We understand how difficult it is in todays market place to determine the genuine article from the fake or faux. For this reason we believe when presented with the true facts of how each product is made and the materials it is manufactured from, our customers have the ability to make informed decisions. Decisions that are best for them and their financial investment based upon these facts. When you purchase a quality hand built family heirloom future antiquity, you are investing not wasting your money on a fake future yard sale item.


How It's Made - The Materials Used Determine A Future Investment Or Yard Sale Item

We believe you will also conclude from this information as we have experienced over our many years, only by using the best natural materials and master handcrafting, can you achieve the creation of a family heirloom investment quality furnishing or door. The use of true solid timber, genuine stones, top grain leathers, fine fabrics, and solid wrought iron in the hands of master craftsmen will never be replaced with modern methods of mass production.


Natural Materials & Master Craftsmanship Cannot Be Replaced By Mass Production Methods

"We Still Hand Build To Investment Quality Like They Used To"


The Joinery, Material And Craftsmanship Determine Quality


Although Many Doors Appear To Be Quality, Don't Be Fooled By Pretty Door Photos,



These Are Not Solid Wood Doors



These Are Veneered Particle Board, Engineered Core Doors.
They are being passed off by many American as well as foreign manufacturers as solid wood doors.




Note: Warp-Resistant Engineered Core usually translates into; "How can we use paste board and veneered materials and make them sound better than the tried and tested solid wood doors?"


Just another way of trying to make a negative into a positive sales tool. There is no substitution for hand hewn, pegged and doweled solid full length timber construction, which is built to stand the test of time.


Many manufacturers have veneered the surface and cored the center all of the premium long lengths of lumber just to keep the cost of materials down and the profits up. Always keep in mind that if it is a veneer or "engineered" it usually means that they are using less quality materials while trying to make it appear and sound better. The expected result is usually reflected in the limited warrantee and is never positive.



This Laminated Method Of Exterior Door Building Will Never Stand The Test of Time


Laminated Always Means - "Until The Glue Gives Up"


We Never Veneer or Laminate - Only Full Length Solid Timber Air Dried Is Used





Lets Examine Imported Mahogany Doors And Furniture


The Doors Shown Below are Scarf Joined Solid Mahogany Doors, Meaning Made Of Small Lengths Of Scrap Mahogany

For Example: Many companies make this statement: Honduran or Brazilian Mahogany wood is used to manufacture our premier selection of "Solid Entry Doors Or Furniture".



Legally These Resellers Are Not Telling A "Lie"

Simply Omitting Some Important Negative Facts. These doors are made up of scarf joints and splice joints and glue in order to use scrap materials to make long lumber. The joints are then sanded filled and finished to hide the joints. Sometimes shorter sections of wood inside the door are used to make a frame, and then particle board and a thin mahogany veneered surface is added by a laminating machine.



The plain scarf is not preferred when strength is required, so it is often used in decorative situations, such as the application of trim or moulding. The use of modern high-strength adhesives can greatly increase the structural performance of a plain scarf. However when used in exterior products such as doors this method is never used by top quality door builders. The scarf is a method of using scrap pieces of wood to make long lumber. The end results are never positive.



Many Manufacturers Use Scarf Joints And Splice joints In Order To Use Exotic Scrap Materials

Scarf joints and splice joints are used when longer premium lumber is not available or scrap is being used.


The Doors Shown Below Are Created by Gluing Together Scrap Pieces Of Mahogany Using a Method Known As Scarf Joinery, Combined With CNC Machine Carving And A Hollow Tube Cold Bent Metal Faux Painted Grill.



Scarfed Joined, And Veneer Always Means Temporary Or Until The Glues Gives Out

The scarf joint in woodworking, there are two distinctly different categories of scarf, based on whether the joint has interlocking faces or not. A plain scarf is simply two flat planes meeting on an angle relative to the axis of the stock being joined, and depends entirely on adhesive and/or mechanical fastening (screws, bolts, etc.) for all strength. Structured scarf joint includes hooked, keyed, and nibbed scarfs and are some of the many example of interlocking scarfs, offering varying degrees of tensile and compressive strength, though most still depend on mechanical fastening to keep the joint closed.



Splice Joint

A splice joint is a method of joining two members end to end in woodworking. The splice joint is used when the material being joined is not available in the length required. It is an alternative to other joints such as the butt joint and the scarf joint. Splice joints are stronger than unreinforced butt joints and have the potential to be stronger than a scarf joint. They are more visible than a scarf joint but may be preferred when more strength is required.


Splices are therefore most often used when structural elements are required in longer lengths than the available material. The most common form of the splice joint is the half lap splice, which is common in building construction, where it is used to join shorter lengths of timber into longer beams. The splice joint should never be used in quality furniture or door building.



Many Unscrupulous Manufacturers Offer Furniture And Doors Made By This Method


The Result Is Never Positive


There Are Many More Government Reports On Foreign Imports

Customer Mahogany Door Complaints Important details that you should know before you purchase wood imports



Source info: EIA US Office P.O. Box 53343 Washington, DC 20009 United States of America info@eia-global.org Tel +1 202 483 6621 Fax +1 202 986 8626 www.eia-global.org


Also using this illegal foreign wood it could also mean bug infestation certificates of origin as well as de-infestation and are required on all imported woods due to the likely hood of bug infestation such as bed bugs. Click this link below for wood imports- Florida Entomologist report.


University of Florida, IFAS, Fort Lauderdale Research & Education Center 3205 College Avenue, Fort Lauderdale, FL 33314 Bug Infestation Information Facts: Important details that you should know before you purchase wood imports- Florida Entomologist 89(1) Report


More Bug Infestation Information Facts: Important details that you should know before you purchase wood imports



All Scottsdale Door Factory Doors Are Solid Full Length American Grown Timber
(not scarf joined or paste board and veneer) and hand built in America by master craftsmen to stand the test of time.


Guaranteed "Forever" No questions asked, Backed by over nine decades of fine American craftsmanship.



Door Terminology
in simple terms that everyone can understand. These diagrams are aids so that you may educate yourself and your client on door terminology. Many furniture and cabinet terms are also similar






History Of Joinery And Terminology



Mortise And Tenon Joints, Simple And Strong

Mortise and tenon, simple and strong- The mortise and tenon joint has been used for thousands of years by woodworkers around the world to join pieces of wood, usually when the pieces are at an angle close to 90°. Although there are many variations on the theme, the basic idea is that the end of one of the members is inserted into a hole cut in the other member. The end of the first member is called the tenon, and it is usually narrowed with respect to the rest of the piece. The hole in the second member is called the mortise. The joint may be glued, pinned, or wedged to lock it in place. This joint is also used with other materials and, for example, is a traditional method for Stonemasons and Blacksmiths.


A mortise is a cavity cut into a timber to receive a tenon. There are several kinds of mortises.

Open mortise - A mortise that has only three sides. (See Bridle joint).


Stub mortise or "suicide" joint - A shallow mortise, depth depends on the size of the timber; also a mortise that does not go through the work-piece (as opposed to a "through mortise"). the back is wider, or taller, than the front, or opening. The space for the wedge initially allows room for the tenon to be inserted, the presence of the wedge, after the tenon has been engaged, prevents its withdrawal. Sometimes called a "suicide" joint - since it is strictly a "one way trip".


Through wedged half-dovetail - A wedged half-dovetail mortise that passes entirely through the piece.


A tenon is a projection on the end of a timber for insertion into a mortise. Usually the tenon is taller than it is wide. There are several kinds of tenons.


Stub tenon - A short tenon; depth depends on the size of the timber; also a tenon that is shorter than the width of the mortised piece so the tenon does not show (as opposed to a "through tenon").


Tusk tenon - A kind of mortise and tenon joint that uses a wedge-shaped key to hold the joint together.


Through tenon - A tenon that passes entirely through the piece of wood it is inserted into, being clearly visible on the back side.


Teasel tenon - A term used for the tenon on top of a jowled or gunstock post, which is typically received by the mortise in the underside of a tie beam. A common element of the English tying joint.


Top tenon - The tenon that occurs on top of a post.


Feather tenon - A round-shouldered machined fillet or feather which is glued into a machine (router) made slot or mortise on each side of the joint.


Generally the size of the mortise and tenon is related to the thickness of the timbers. It is considered good practice to proportion the tenon as 1/3rd the thickness of the rail, or as close to this as is practical. The haunch, the cut away part of a sash corner joint that prevents the tenon coming loose, is one third the length of the tenon and one sixth of the width of the tenon in its depth. The remaining two-thirds of the rail, the tenon shoulders help to counteract lateral forces that might tweak the tenon from the mortise, contributing to its strength. These also serve to hide imperfections in the opening of the mortise.


Mortis And tenon is an ancient joint and has been found joining the wooden planks of the "Khufu ship", a 43.6 m long vessel sealed into a pit in the Giza pyramid complex of the Fourth Dynasty around 2,500 BC. It has also been found in archeological sites in the Middle East, Europe and Asia. The 30 sarsen stones of Stonehenge were dressed and fashioned with mortise and tenon joints before they were erected between 2600 and 2400 B.C.



Finger Joint - Box Joint - Comb Joint

The finger joint - (Also known as "box joint" or "comb joint") is made by cutting a set of complementary rectangular cuts in two pieces of wood, which are then glued. To visualize a finger joint simply interlock the fingers of your hands at a ninety degree angle; hence the name "finger joint." It is stronger than a butt or lap joint, and often forms part of the overall look of the piece.


The history of the finger joint is believed to have begun with wooden produce boxes or crates in the days before modern, man-made materials. Finger joints were originally cut by hand with saws and sharp chisels. In modern times they are easily and quickly made with a table saw or router and a jig or fixture, which can be shop-made or purchased from a specialty woodworking supply store. A finger joint jig typically consists of a moving fence with an indexing pin that is used to evenly space out the cuts. The fence is moved over a cutting blade making a cut that is then moved over the indexing pin so the next cut can be made.


The strength of a finger joint comes from the long-grain to long-grain contact between the fingers, which provides a solid gluing surface. The number of contact points also allows for more gluing surface as opposed to a butt joint or a rabbet joint.



The Dovetail Joint Pre Dates Written History As Shown On This Romanian Church

A dovetail joint or simply dovetail is a joint technique most commonly used in woodworking joinery. Noted for its resistance to being pulled apart (tensile strength), the dovetail joint is commonly used to join for example the sides of a drawer to the front. A series of pins cut to extend from the end of one board interlock with a series of tails cut into the end of another board. The pins and tails have a trapezoidal shape. Once glued, a wooden dovetail joint requires no mechanical fasteners.


The dovetail joint pre-dates written history. Some of the earliest known examples of the dovetail joint are in furniture entombed with mummies dating from First Dynasty of ancient Egypt, as well the tombs of Chinese emperors. The dovetail design is an important method of distinguishing various periods of furniture.


Dovetails can be cut by hand or by machines, often with an electric router and using one of a range of commercially available jigs or templates. Although it is technically a straight forward process, hand-cutting dovetails requires a high degree of accuracy to ensure a snug fit and so can be difficult to master. The pins and tails must fit together with no gap between them so that the joint interlocks tightly with no movement. Thus the cutting of dovetails by hand is regarded as a mark of skill on the part of the craftsperson.



It Takes A Master Craftsman To Hand Cut Perfect Joints

The angle of slope varies according to the wood used. Typically the slope is 1:6 for softwoods and a shallower 1:8 slope for hardwoods. Often a slope of 1:7 is used as a compromise - perhaps using a dovetail template for marking out.


When being cut by hand, there are two schools of thought as to whether the pins or the tails should be cut first. For pins first, the pins are laid out and cut by the chosen method, then the outline of the pins is transferred to the face of the tail board. For tails first, the tails are laid out and cut and then the outline is transferred to the end grain of the pin board. Each has advantages and it is a personal choice as to which is chosen.


Hand cut dovetails can often be distinguished from machine-cut dovetails by the width of the pins. It is possible to have pins that are almost triangular when cut by hand that are not possible when cut with a router, owing to the thickness of the router bit's shank. These narrow pins are known as London Pins.


A through dovetail joint (also known as plain dovetail) joint, where the end grain of both boards is visible when the joint is assembled. Through dovetails are common in carcass and box construction. Traditionally, the dovetails would have often be covered by a veneer. However, dovetails have become a signature of craftsmanship and are generally considered a feature, so they are rarely concealed in contemporary work.


A half-blind dovetail is used when the craftsman does not wish end grain to be visible from the front of the item. The tails are housed in sockets in the ends of the board that is to be the front of the item so that their ends cannot be seen. Half-blind dovetails are commonly used to fasten drawer fronts to drawer sides. This is an alternative to the practice of attaching false fronts to drawers constructed using through dovetails.


The sliding dovetail is a method of joining two boards at right angles, where the intersection occurs within the field of one of the boards, that is not at the end. This joint provides the interlocking strength of a dovetail. Sliding dovetails are assembled by sliding the tail into the socket. It is common to slightly taper the socket, making it slightly tighter towards the rear of the joint, so that the two components can be slid together easily but the joint becomes tighter as the finished position is reached.


The full-blind dovetail obscures the mechanics of the joint altogether. This variant is used in fine work when the craftsperson requires the strength of a dovetail but without the visual intrusion of the interlocking pins and tails. Two versions of this joint are the secret double-lapped dovetail and the full-blind mitered dovetail. The former presents a very thin section of end grain on one edge of the joint, whilst the latter does not. When used in drawer construction, a "full-blind dovetail" is known as a "French dovetail."


Some of these ancient joints and has been found joining the wooden planks of the "Khufu ship", a 43.6 m long vessel sealed into a pit in the Giza pyramid complex of the Fourth Dynasty around 2,500 BC. It has also been found in archeological sites in the Middle East, Europe and Asia. In traditional Chinese architecture, wood components such as beams, brackets, roof frames and struts were made to interlock with perfect fit, without using fasteners or glues, enabling the wood to expand and contract according to humidity. Archaeological evidence from Chinese sites show that by the end of the Neolithic, mortise and tenon joinery was employed in Chinese construction. The 30 sarsen stones of Stonehenge were dressed and fashioned with mortise and tenon joints before they were erected between 2600 and 2400 B.C.



Butt Joint

A butt joint is a joinery technique in which two members are joined by simply butting them together. The butt joint is the simplest joint to make since it merely involves cutting the members to the appropriate length and butting them together. It is also the weakest because unless some form of reinforcement is used (see below) it relies upon glue alone to hold it together. Because the orientation of the members usually present only end grain to long grain gluing surface, the resulting joint is inherently weak.



Bridle Joint

A bridle joint is a woodworking joint, similar to a mortise and tenon, in that a tenon is cut on the end of one member and a mortise is cut into the other to accept it. The distinguishing feature is that the tenon and the mortise are cut to the full width of the tenon member.


The corner bridle joint (also known as a slot mortise and tenon) joins two members at their respective ends, forming a corner. This form of the joint is commonly used to house a rail in uprights, such as legs. It provides good strength in compression and is fairly resistant to racking, although a mechanical fastener or pin is often required. The bridle joint is very popular in workbench construction.



Butterfly Joint

A Butterfly joint is a type of joint used either to hold two or more wooden boards together or to keep two halves of a board that have already started to split from splitting further. They may also be used to stabilize the core of a knothole, preventing it from dropping out over time. A butterfly joint resembles two dovetails connected at the narrow part. A negative of the hole is cut out of the board the butterfly will be placed in and the butterfly is then fitted, keeping the joint together. The wood used for the butterfly is usually a contrasting wood, often walnut.



Coping Or Scribing Joint

Coping or scribing is the woodworking technique of shaping the end of a moulding or frame component to fit the contours of an abutting member. Most English speaking countries outside the US use the terms scribe and scribing. Coping is commonly used in the fitting of skirting and other moldings in a room. It allows for clean joints between intersecting members when walls are not square to each other. The other method of fitting these moldings that is commonly used is the mitre joint but this technique relies upon the walls being at 90° to each other for neat results.


Coping is only ever used for internal corners. External corners are always mitered. The main reason that scribed joints are used is that timber shrinks in width far more than it does in length. By using a scribed joint rather than an internal mitre joint the effect of shrinkage is minimized. Also it is possible to arrange the scribed joints pointing away from the most common viewpoint (usually the doorway of a room) and so present the best appearance.


A scribed joint (right end of sketch) is derived from an internal mitre cut (left end) by cutting along the inside face of the mitre cut at a right angle to the board, typically with a coping saw.


Coping is also commonly used in cabinet making for moldings and frame components. The rails in frame and panel construction are commonly cope cut to fit the profile of the stiles. The technique is also common in the construction of doors and windows.



Rail And Stile

Frame and panel construction (also called "rail and stile") is a woodworking technique often used in the making of doors, wainscoting, and other decorative features for cabinets, furniture, and homes. The basic idea is to capture a 'floating' panel within a sturdy frame, as opposed to techniques like slab drawer fronts which are simply single pieces of material with exposed end-grains. Usually, the panel is not glued to the frame - it is left to 'float' within it so that seasonal movement of the wood comprising the panel does not distort the frame.


Frame and panel construction at its most basic consists of five members: The panel and the four members which make up the frame. The vertical members of the frame are called stiles while the horizontal members are known as rails. A basic frame and panel item consists of a top rail, a bottom rail, two stiles, and a panel. This is a common method of constructing cabinet doors and these are often referred to as a five piece door.


In larger panels it is common to divide the panel into one or more sections. To house the extra panels, dividing pieces known as mid rails and mid stiles or muntins are added to the frame.


Pocket-Hole Joinery, Pocket-Screw Joinery, or Kreg Joinery involves drilling a hole at an angle into one work-piece, and then joining it to a second work-piece with a self-tapping screw. The technique, in addition to doweling, has its roots in ancient Egypt. Egyptians clamped two work-pieces together and bored a hole at an angle from the outside work-piece into the second work-piece. They then inserted a dowel with glue, and cut it off flush with the outermost surface.


A rabbet (also known as rebate) is a recess or groove cut into the edge of a piece of machinable material, usually wood. When viewed in cross-section, a rabbet is two-sided and open to the edge or end of the surface into which it is cut. The spelling rabbet is probably a derivation of rebate, the latter being more common outside of North America. An example of the use of a rabbet is in a glazing bar where it makes provision for the insertion of the pane of glass and putty. It may also accommodate the edge of the back panel of a cabinet. It is also used in door and casement window jambs.


Tongue and groove joint A strong joint, the tongue and groove joint is widely used for re-entrant angles. The effect of wood shrinkage is concealed when the joint is beaded or otherwise moulded. In expensive cabinet work, glued dovetail and multiple tongue and groove are used. Tongue and groove or T&G is a method of fitting similar objects together, edge to edge, used mainly with wood: flooring, parquetry, panelling, and similar constructions. Tongue and groove joints allow two flat pieces to be joined strongly together to make a single flat surface. Before plywood became common, tongue and groove boards were also used for sheathing buildings and to construct concrete formwork.


Solid parquet boards with tongues on the right sides of the boards and grooves on the left sides. Grooves are also visible on the near ends; the far ends are tongued.


Each piece has a slot (the groove) cut all along one edge, and a thin, deep ridge (the tongue) on the opposite edge. The tongue projects a little less than the groove is deep. Two or more pieces thus fit together closely. The joint is not normally glued, as shrinkage would then pull the tongue off. For many uses, tongue and groove boards have been rendered obsolete by the introduction of plywood and later composite wood boards, but the method is still used in good-quality flooring. Plywood may also be tongued all round to fit it flush into a framed structure, and plywood for sub-floors used in platform framing is often supplied with tongue and groove edges.When joining thicker materials, several tongue and groove joints may be used one above the other.


A dado (US and Canada), housing (UK) or trench (Europe) is a slot or trench cut into the surface of a piece of machinable material, usually wood. When viewed in cross-section, a dado has three sides. A dado is cut across, or perpendicular to, the grain and is thus differentiated from a groove which is cut with, or parallel to, the grain. A dado may be through, meaning that it passes all the way through the surface and its ends are open, or stopped, meaning that one or both of the ends finish before the dado meets the edge of the surface.



Dougong Chinese: 斗拱; pinyin: dǒugǒng

Dougong (simplified Chinese: 斗拱; traditional Chinese: 斗拱; pinyin: dǒugǒng) is a unique structural element of interlocking wooden brackets, one of the most important elements in traditional Chinese, Japanese, Korean, Malaysian and Singaporian architecture. The use of dougong first appeared in buildings of the late centuries BC and evolved into a structural network that joined pillars and columns to the frame of the roof.


Diagram of bracket and cantilever arms from the building manual Yingzao Fashi (published in 1103) of the Song Dynasty.


Dougong was widely used in the ancient Chinese during the Spring and Autumn Period (770–476 BC) and developed into a complex set of interlocking parts by its peak in the Tang and Song periods. The pieces are fit together by joinery alone without glue or fasteners, due to the precision and quality of the carpentry. After the Song Dynasty, brackets and bracket sets became more ornamental than structural when used in palatial structures and important religious buildings, no longer the traditional dougong.


Dougong inside the East Hall timber hall of Foguang Temple, built in 857 during the Tang Dynasty



Lost Art ? - We Can Provide The Replacement Parts Made In The Same Hand

In traditional Chinese architecture, wood components such as beams, brackets, roof frames and struts were made to interlock with perfect fit, without using fasteners or glues, enabling the wood to expand and contract according to humidity. Archaeological evidence from Chinese sites show that by the end of the Neolithic, mortise and tenon joinery was employed in Chinese construction.



These Joints Have Been Proven For Thousands Of Years

Metallurgy - The Historical Facts


Wrought Iron Iron alloy phases v • d • eFerrite (α-iron, δ-iron; soft) Austenite (γ-iron; harder) Spheroidite Pearlite (88% ferrite, 12% cementite) Bainite Martensite Ledeburite (ferrite-cementite eutectic, 4.3% carbon) Cementite (iron carbide, Fe3C; hardest)


Steel Classes Carbon steel (≤2.1% carbon; low alloy) Stainless steel (+chromium) Maraging steel (+nickel) Alloy steel (hard) Tool steel (harder)


Wrought iron is commercially pure iron. In contrast to steel, it has a very low carbon content. It is a fibrous material due to the slag inclusions (a normal constituent). This is also what gives it a "grain" resembling wood, which is visible when it is etched or bent to the point of failure. Wrought iron is tough, malleable, ductile and easily welded.


Examples of items that used to be produced from wrought iron include: rivets, chains, railway couplings, water and steam pipes, raw material for manufacturing of steel, nuts, bolts, horseshoes, handrails, straps for timber roof trusses, boiler tubes, and fine art ornamental ironwork.


Every Thing That Appears To Be Genuine Wrought Iron - May Not Be Truly Wrought Iron

Wrought iron is no longer produced on a commercial scale. Many products described as wrought iron, such as guard rails, are made of mild steel. They retain that description because they were formerly made of wrought iron or have the appearance of wrought iron. True wrought iron is occasionally required for the authentic conservation of historic structures.


Wrought iron is so named because it is worked from a bloom of porous iron mixed with slag and other impurities. The word "wrought" is an archaic past tense form of the verb to work. As irregular past-tense forms in English have historically been phased out over long periods of time, wrought became worked. Wrought iron literally means worked iron. Another theory is that "wrought" is the past tense of "wring".


Wrought iron is a general term for the commodity, but is also used more specifically for finished iron goods, as manufactured by a blacksmith or other smith. It was used in this narrower sense in British Customs records, such manufactured iron being subject to a higher rate of duty than what might be called "unwrought" iron.


In the 17th, 18th and 19th centuries, wrought iron went by a wide variety of terms according to its form, origin, or quality.


Bar iron — iron in bars, which are the usual product of the finery forge, but not necessarily made by that process. These might be square or flat, and flat bars might be narrow or broad.


Rod iron — cut from flat bar iron in a slitting mill to provide the raw material for nails.


Hoop iron — suitable for the hoops of barrels, apparently made by passing rod iron through flat rolls.


Plate iron — sheets of iron suitable for use as boiler plate.


Black-plate — sheets of iron, perhaps thinner than plate iron, from the black rolling stage of tinplate production.


Voyage iron — narrow flat bar iron, made or cut into bars of a particular weight, a commodity for sale in Africa for the Atlantic slave trade. The number of bars per ton gradually increased from 70 per ton in the 1660s to 75–80 per ton in 1685 and "near 92 to the ton" in 1731


Oregrounds iron — a particularly pure grade of bar iron made ultimately from iron ore from the Dannemora mine in Sweden. Its most important use was as the raw material for the cementation process of steel-making.


Danks iron — originally iron imported to Great Britain from Danzig (now Gdansk), but in the 18th century more probably the kind of iron (from eastern Sweden) that once came from Danzig.


Forest iron — iron from the Forest of Dean, where haematite ore enabled tough iron to be produced.


Lukes iron — iron imported from Liège, whose Dutch name is "Luik."


Ames iron or amys iron — another variety of iron imported to England from northern Europe. Its origin has been suggested to be Amiens, but it seems to have been imported from Flanders in the 15th century and Holland later, suggesting an origin in the Rhine valley. Its origins remain controversial


Botolf iron or Boutall iron — from Butow (Pommerania) or Beuthen (Silesia).


Sable iron (or Old Sable) — iron bearing the mark (a sable) of the Demidov family of Russian iron-masters, one of the better brands of Russian iron.


Tough iron — also spelt "tuf".


Blend iron — made using a mixture of different types of pig iron.


Best iron — in the 19th century, iron that had gone through several stages of piling and rolling, might reach the stage of being best iron.


Marked Bar iron — iron made by members of the Marked Bar Association and marked with the maker's brand mark as a sign of its quality.


Defective quality Iron is redshort if it contains sulfur in excess quantity. It has sufficient tenacity when cold, but cracks when bent or finished at a red heat. It is therefore useless for welding or forging.


Iron is coldshort (or "coldshear" or "colshire" or "bloodshot"), if it contains phosphorus in excess quantity. It is very brittle when it is cold. It cracks if bent. It may, however, be worked at high temperature. Historically, coldshort iron was considered good enough for nails. Nevertheless, phosphorus is not necessarily detrimental to iron:


Ancient Indian smiths did not add lime to their furnaces; the absence of CaO in the slag, and the deliberate use of wood with high phosphorus content during the smelting, induces a higher P content (> 0.1%, average 0.25%) than in modern iron. There is more phosphorus as solid solution throughout the metal than in the slags (one analysis gives 0.10% in the slags for 18% in the iron itself, for a total P content of 0.28% in the metal). This high P content and particular repartition are essential factors in the formation of a passive protective film of “misawite” (d-FeOOH), an amorphous iron oxyhydroxide that forms a barrier by adhering next to the interface between metal and rust.

Iron pillar at Delhi, India, containing 98% wrought iron

1600 Year - Old Rust - Proof Pillar - Is Proof Pure Wrought Iron Will Stand The Test of Time

From this technology recently rediscovered by metallurgists at IIT Kanpur through the study of the Iron Pillar of Delhi, rust-proof iron is at the last stages of being commercialized. This 1600 years-old rust-proof pillar is also of a remarkable strength, having withstood the impact of a cannon ball in the 18th century. Copper has a similar effect as phosphate regarding the formation of a passive protection film. Furthermore, the presence of phosphorus (without carbon) produces a ductile iron suitable for wire drawing, for piano wire.


The puddling process of smelting iron ore to make wrought iron from pig iron, the right half of the illustration displays men working a blast furnace, Tiangong Kaiwu encyclopedia published in 1637, written by Song Yingxing (1587–1666).


Wrought iron has been used for many centuries, and is the "iron" that is referred to throughout western history. The other form of iron, cast iron, was not introduced into Western Europe until the 15th century; even then, due to its brittleness, it could only be used for a limited number of purposes. Throughout much of the Middle Ages iron was produced by the direct reduction of ore in manually operated bloomeries, although waterpower had begun to be employed by 1104.


The raw material produced by all indirect processes is pig iron. It has a high carbon content and as a consequence it is brittle and could not be used to make hardware. The osmond process was the first of the indirect processes, developed by 1203, but bloomery production continued in many places. The process depended on the development of the blast furnace, of which medieval examples have been discovered at Lapphyttan, Sweden and in Germany.


The bloomery and osmond processes were gradually replaced from the 15th century by finery processes, of which there were two versions, the German and Walloon. They were in turn replaced from the late 18th century by puddling, with certain variants such as the Swedish Lancashire Process. These too are now obsolete, and wrought iron is no longer manufactured commercially, except one brand "Pure Iron" which is made for artist blacksmiths and restorations of older ironworks.


Bloomery process Wrought iron was originally produced by a variety of smelting processes, all described today as bloomeries. Different forms of bloomery were used at different places and times. The bloomery was charged with charcoal and iron ore and then lit. Air was blown in through a tuyere to heat the bloomery to a temperature somewhat below the melting point of iron. In the course of the smelt, slag would melt and run out, and carbon monoxide from the charcoal would reduce the ore to iron, which formed a spongy mass. The iron remained in the solid state. If the bloomery was allowed to become hot enough to melt the iron, carbon would dissolve into it and form pig or cast iron, but that was not the intention.


After smelting was complete, the bloom was removed, and the process could then be started again. It was thus a batch process, rather than a continuous one. The spongy mass contained iron and also silicate (slag) from the ore; this was iron bloom from which the technique got its name. The bloom had to be forged mechanically to consolidate it and shape it into a bar, expelling slag in the process.


During the Middle Ages, water-power was applied to the process, probably initially for powering bellows, and only later to hammers for forging the blooms. However, while it is certain that water-power was used, the details of this remain uncertain. This was the culmination of the direct process of ironmaking. It survived in Spain and southern France as Catalan Forges to the mid 19th century, in Austria as the stuckofen to 1775, and near Garstang in England until about 1770; it was still in use with hot blast in New York State in the 1880s.


Osmond process Osmond iron consisted of balls of wrought iron, produced by melting pig iron and catching the droplets on a staff, which was spun in front of a blast of air so as to expose as much of it as possible to the air and oxidise its carbon content. The resultant ball was often forged into bar iron in a hammer mill.


Finery forge In the 15th century, the blast furnace spread into what is now Belgium and was improved. From there, it spread via the Pays de Bray on the boundary of Normandy and then to the Weald in England. With it, the finery forge spread. These remelted the pig iron and (in effect) burnt out the carbon, producing a bloom, which was then forged into a bar iron. If rod iron was required, a slitting mill was used.


The finery process existed in two slightly different forms. In Great Britain, France, and parts of Sweden, only the Walloon process was used. This employed two different hearths, a finery hearth for fining the iron and a chafery hearth for reheating it in the course of drawing the bloom out into a bar. The finery always burnt charcoal, but the chafery could be fired with mineral coal, since its impurities would not harm the iron when it was in the solid state. On the other hand, the German process, used in Germany, Russia, and most of Sweden used a single hearth for all stages.


The introduction of coke for use in the blast furnace by Abraham Darby in 1709 (or perhaps others a littler earlier) initially had little effect on wrought iron production. Only in the 1750s was coke pig iron used on any significant scale as the feedstock of finery forges. However, charcoal continued to be the fuel for the finery.


Potting and stamping from the late 1750s, ironmasters began to develop processes for making bar iron without charcoal. There were a number of patented processes for this, which are referred to today as potting and stamping. The earliest were developed by John Wood of Wednesbury and his brother Charles Wood of Low Mill at Egremont, patented in 1763. Another was developed for the Coalbrookdale Company by the Cranage brothers. Another important one was that of John Wright and Joseph Jesson of West Bromwich.


Schematic drawing of a puddling furnace Puddling (metallurgy)A number of processes for making wrought iron without charcoal were devised as the Industrial Revolution began during the latter half of the 18th century. The most successful of these was puddling, using a puddling furnace (a variety of the reverberatory furnace). This was invented by Henry Cort in 1784. It was later improved by others including Joseph Hall. In this type of furnace, the metal does not come into contact with the fuel, and so is not contaminated by impurities in it. The flame from the fire is reverberated or sent back down onto the metal on the fire bridge of the furnace.


Unless the raw material used is white cast iron, the pig iron or other raw material first had to be refined into refined iron or finers metal. This would be done in a refinery where raw coal is used to remove silicon and convert carbon from a graphitic form to a combined form. This metal was placed into the hearth of the puddling furnace where it was melted. The hearth was lined with oxidizing agents such as haematite and iron oxide. This mixture is subjected to a strong current of air and stirred with long bars, called puddling bars or rabbles through working doors. The air, stirring, and "boiling" action of the metal help the oxidizing agents to oxidize the impurities and carbon out of the pig iron to their maximum capability. As the impurities oxidize, the retaining material solidifies into spongy wrought iron balls, called puddle balls.


Shingling (metallurgy) There is still some slag left in the puddle balls so while they are still hot they must be shingled to remove the remaining slag and cinder. It may be achieved by forging the balls under a power hammer or by squeezing the bloom in a machine. The material obtained at the end of shingling is known as bloom and it is still red-hot.[25] The blooms are not useful in this form so they must be rolled into a final product.


Sometimes European ironworks would skip this step completely and roll the puddle balls. The only drawback to this is that the edges of the rough bars are not as well compressed. When the rough bar is reheated, the edges may separate and be lost into the furnace.


Rolling mill The bloom is passed through grooved rollers and flat bars were produced. These bars of wrought iron were of poor quality, called muck bars or puddle bars. To improve the quality of wrought iron, these bars were cut up, piled and tied together by wires, a process known as faggoting or piling. They were then reheated and rolled again in merchant rolls. This process may be repeated several times to get wrought iron of desired quality. Wrought iron that has been rolled multiple times is called merchant bar or merchant iron


Lancashire process The advantage of puddling was that it used coal, not charcoal as fuel. However this was little advantage in Sweden, which lacks coal. Gustaf Ekman observed charcoal fineries at Ulverstone, which were quite different from any in Sweden. After his return to Sweden in the 1830s, he experimented and developed a process similar to puddling but using forewood and charcoal, which was widely adopted in the Bergslagen in the following decades.


The Aston process In 1925, James Aston of the United States developed a process for manufacturing wrought iron quickly and economically. It involves taking molten steel from a Bessemer converter and pouring it into cooler liquid slag. The temperature of the steel is about 1500 °C and the liquid slag is maintained at approximately 1200 °C. The molten steel contains a large amount of dissolved gases so when the liquid steel hits the cooler surfaces of the liquid slag the gases are liberated. The molten steel then freezes to yield a spongy mass having a temperature of about 1370 °C. This spongy mass must then be finished by being shingled and rolled as described under puddling (above). Three to four tons can be converted per batch with this method.


Wrought iron is no longer commercially produced. The last wrought iron facility shut down in 1969. In the 1960s the price of steel production was dropping due to recycling and even using the Aston process wrought iron production was a labor intensive process. It has been estimated that the production of wrought iron costs approximately twice as much as the production of low carbon steel.


Properties The microstructure of wrought iron, showing dark slag inclusions in ferrite (iron) The slag inclusions in wrought iron give it properties not found in other forms of ferrous metal. There are approximately 250,000 inclusions per square inch. A fresh fracture shows a clear bluish color with a high silky luster and fibrous appearance.


Wrought iron lacks the carbon content necessary for hardening through heat treatment, but in areas where steel was uncommon or unknown, tools were sometimes cold-worked (hence cold iron) in order to harden them. An advantage of its low carbon content is its excellent weldability. Furthermore, sheet wrought iron cannot bend as much as steel sheet metal (when cold worked).


Wrought iron can be cast, however there is no engineering advantage as compared to cast iron; cast iron is much easier to produce and thus cheaper, so it is exclusively chosen over wrought iron.


Due to the variations in iron ore origin and iron manufacture, wrought iron can be inferior or superior in corrosion resistance compared to other iron alloys. There are many mechanisms behind this corrosion resistance. Chilton and Evans found that nickel enrichment bands reduce corrosion. They also found that in puddled and forged and piled the working over of the iron spread out copper, nickel and tin impurities, which produce electrochemical conditions that slow down corrosion.


The slag inclusions have been shown to disperse corrosion in to an even film to resist pitting. Another study has shown that slag inclusions are pathways to corrosion. Other studies show that sulfur impurities in the wrought iron decrease corrosion resistance, but phosphorus increase corrosion resistance. Environments with a high concentration of chlorine ions also decreases wrought iron's corrosion resistance.


Wrought iron has a rough surface so it can hold platings and coatings better. For instance, a galvanic zinc finish is approximately 25–40% thicker than the same finish on steel. In Table 1, the chemical composition of wrought iron is compared to that of pig iron and carbon steel. Although it appears that wrought iron and plain carbon steel have similar chemical compositions, this is deceiving. Most of the manganese, sulfur, phosphorus, and silicon are incorporated into the slag fibers present in the wrought iron, so wrought iron really is purer than plain carbon steel.


Table 1: Chemical composition comparison of pig iron, plain carbon steel, and wrought iron[25] Material Iron Carbon Manganese Sulfur Phosphorus Silicon Pig iron 91–94 3.5–4.5 0.5–2.5 0.018–0.1 0.03–0.1 0.25–3.5 Carbon steel 98.1–99.5 0.07–1.3 0.3–1.0 0.02–0.06 0.002–0.1 0.005–0.5 Wrought iron 99–99.8 0.05–0.25 0.01–0.1 0.02–0.1 0.05–0.2 0.02–0.2 All units are percent weight


Table 2: Properties of wrought iron Property Value Ultimate tensile strength [psi (MPa)][40] 34,000–54,000 (234–372) Ultimate compression strength [psi (MPa)][40] 34,000–54,000 (234–372) Ultimate shear strength [psi (MPa)][40] 28,000–45,000 (193–310) Yield point [psi (MPa)][40] 23,000–32,000 (159–221) Modulus of elasticity (in tension) [psi (MPa)][40] 28,000,000 (193,100) Melting point [°F (°C)][41] 2,800 (1,540) Specific gravity 7.6–7.9 7.5–7.8 Amongst its other properties, wrought iron becomes soft at red heat, and can be easily forged and forge welded. It can be used to form temporary magnets, but cannot be magnetized permanently, and is ductile, malleable and tough.


Understanding True Quality Makes All The Difference

When you purchase investment quality furnishings, doors, gates, cabinets, lighting and hardware they will appreciate and keep up with inflation or exceed most other investments. For this reason, becoming wealthy has very little to do with a higher education or having a lot of extra money. It is truly making wise decisions and a state of mind that allows for you to pay once for a good value and continue to grow wealth while enjoying living in your investment. Not to mention this type of investing has many other benefits, such as priceless family heirlooms that have meaning and the ability to pass on your legacy to future generations.


Over Ninety Five Percent Of Furnishings Offered In America Today,
" No Matter The Brand Name"
Are Foreign Made For Profit Only






The "Brand Name" Rip Off Of The American Consumer

Why Would Any One Pay 300% - 800% Mark Up For A Cheap Inferior Third World Made Furnishing? - When You Can Purchase Top American Made Quality For Less






It's A Simple Fact


When You Purchase A Third World Product You Are Working Against The American Economy.
You are thus working against yourself and your future employment or the employment of the customers your business depends upon. In addition, your choice works against employing American workers making quality American products as well as allowing these old brand name American profiteers to take advantage of the American consumer using these slight of hand tactics.






This Is Not Sour Grapes - And We Challenge Any Expert To Demonstrate Different
It is the facts of the furniture and door industry as a whole for past eight to ten years as we are living it. Simply turn on any news channel and see the results in action.


In Nine Decades Scottsdale Art Factory Has Never Changed Its Policy of "Made In America By American Workers Using American Made Materials".

We Will Never Sell Our Corporate Soul," Family Name" For A Fast Buck, And We Make No Apologies For Being Proud Flag Waving American Manufacturers.

Conclusion: If your client is in the market for the best quality hand made in America solid wood doors or furniture or hand forged ornamental iron cabinet knobs, entrance door handles, entrance gates, iron fencing, iron furniture, hand forged lighting etc. commercial or residential

Scottsdale Art Factory Is The Right Choice.

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